![]() Hell, I don't think they existed until the mid-late 90s. The electronics really look stock to me - the wiring is impeccable, but those pickups didn't exist in the late 80s. Hans has been his normal excellent help, and said something to the effect that the serial number is from 1988, but the guitar was likely built some time thereafter. ![]() It's got the same neck profile, or at least it's very similar, and the same cool hollowness to the tone, but it's brighter with the single coil option and the ebony board. In some ways, it reminds me of the Bluesbird I owned. Any other Nightbird owners agree with that? The guitar is surprisingly heavy for having so much air in it, too - it weighs 8lbs 15oz which is more than my Historic R9 weighed (Historics are solid - no weight relief or chambers), but I suppose that could be due to the larger lower bout on this guitar.īTW all of the balance issues are moot while standing. I say it has a fat *** because it's oddly balanced while sitting. It's like playing a Les Paul with a fat *** that has Strat pickups in it while sort of behaving like a Starfire. Of course now the question is would it sound even better with better pickups? LOL. ![]() Especially though my little champ clone that I built. I have to say that after lowering the pickups a bit, I'm digging the tone from the guitar when it's in single-coil mode. This guitar can almost get that quacky mid-position Strat sound that I love so much. Last edited by dflat 04-13-2011 at 04:14 AM.So I'm the guy that's always ragging on the Fender HB1 pickups, but even though my X170T was hollow and had a coil-split, it never sounded like this. Sometimes you have to move them a space in order to have it play. However for 3/4, 4 spaces, 4 beats in that bar is ok since 3/4 is quite common (we made the player obey the spacings.) Having a bar with 5 spaces in a 4/4 song with chords on every beat will not work. Can be very quick.Īlso check the player works as you input each section (assuming you want to use the Player facility.) It likes clear charts in order to understand what chord is where on the beats (spaces) within the bar. Oh - also you do not have to press NEXT to go along the system beat-by-beat, just tap where you want the chord or barline to go. On iPad it is easier than iPhone obviously. I usually tap on the template nearest the form or use Blank, and add the barlines as I am going along. If you need a specific template, make one yourself and use that each time (using Edit copy of song.) You can easily make a system with just barlines and copy/paste that a few times. Bars can be different widths (have a look through the forum and if you have the 1200 jazz songs or the original library for different bar lengths.) Basically you can have a bar of 2 or 4 spaces, so if we added a "Add bar" it would have to know what width you require. ![]() There is no way to add bars, only beats, but you can use the templates if they are near your song's form. You can usually get up to 8 bars across a system - depends on the number of chords you have in a bar of course. Thanks The number of bars does not really matter. Is there a maximum amount of bars that you can have for the ipad app? Is there an easier way to add more bars than pressing 'add beat' multiple times?
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